![]() ![]() Abdurraqib’s essays linger on the black American experience, emphasizing the desire to be seen and the fear of being invisible. All of the musicians discussed, including Carly Rae Jepsen and Chance the Rapper, are accorded respect, along with an understanding of what needs in their audience they satisfy. Not every music writer would think to connect the performative identities of the rap group Migos and Johnny Cash as Abdurraqib does, showing how both are based on an arguably inauthentic outlaw persona. One essay explores being an outsider among outsiders through Abdurraqib’s memory of being a black kid at an overwhelmingly white punk rock show, yet imbues this experience of loneliness with a sense of triumph. Most of the essays are about music, particularly live music, touching on how it acts as a balm in a time of fear and pain. Abdurraqib’s essay collection is mesmerizing and deeply perceptive. ![]()
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